WEST
OAKLAND
SOUND
SERIES
2026
JAN 9-11 - SAN FRANCISCO TAPE MUSIC FESTIVAL
JAN 25 - STRING THING #2 (OBERLIN) / ANDY MEYERSON
FEB 8 - GIACOMO FIORE + MATT SARGENT (NEW YORK) / BRETT CARSON COMPOSITIONS
FEB 15 - MOE STAIANO'S MUSIC FOR EIGHT GUITARS / JOSHUA ALLEN
FEB 22 - GACHAPON / BROBACK + TESKE + KENNON (seattle) w/ LION (la)
MAR 8 - REBECCA LAWRENCE (berlin) / OAKLAND REDUCTIONIST ORCHESTRA
MAR 15 - BEN GOLDBERG GROUP / FILMS BY DAVID MICHALAK, STEVE MOBIA, ARTHUR GANSON
MAR 20 - SPECIAL LOCATION! WENDY RIED'S "AMBIENT BIRD" @ INDIAN ROCK PARK BERKELEY
MAR 22 - FREMAKAJO(FRITH+ABE+KNUDSEN+GLENN)/SOCIAL STUTTER(SCHENK+GARABEDIAN+KNUDSEN+WRIGHT)
MAR 29 - LEVITATOR TRIO (CLIFFORD+SHOKRAI+NORDESON) / "TWO SISTERS" BY MAX ABNER
APRIL 12 - DEPARTURE DUO (BOSTON) / CHERYL E LEONARD + WOBBLY
APRIL 26 - MONICA SCOTT: HOMMAGES TO JANÁČEK AND KURTÀG
MAY 10 - MICHAEL SCHUMACHER (NYC) / MARC PEREZ + JEFF SCHWARTZ (LA)
MAY 17 - NEIL ROLNICK (NYC) / PLONSEY SCHEME (EC)
MAY 24 - ANTIMATTER + JACOB FELIX HEULE / DIANE GRUBBE + MEERENAI SHIM
MAY 31 - SFSOUND: POLANSKY, SATIE + CLAIR, DAMBLY, INGALLS
SUN JUNE 28 - KOLE GALBRAITH (seattle) / ERIC THEISE / ROBLES + BECKMAN + BICKLEY
SUN JULY 19- THE SKY IS A SUITCASE (seattle) / INSECT LIFE
SUN JULY 26 - FF (SHARKIFACE + AVA KOOHBOR) / CHRIS EVERINGHAM / KIMIA KOOCHAKZADEH-YAZDI
SUN AUG 2 - NW EXPERIMENTAL GUITAR ORCHESTRA (seattle) / LORIN BENEDICT + CASEY TESSIER
SUN AUG 9 - WEST OAKLAND TAPE MUSIC FESTIVAL
SUN AUG 16 - NATHAN CLEVENGER / FORNAX LINTEUM
JANUARY 25 2026 7:15pm

Made by Fae Ordaz and Penina Biddle-Gottesman, the first String Thing was born from a bucket of discarded piano bass strings. Fastened with nails to two blocks of scrap wood, at their best they produced a low resounding thud. A year later the second String Thing came to fruition, this time made of harpsichord strings and a cigar box, fashioned with guitar pegs, heart-shaped holes, and bridges. These strings are strong and thin, bending and stretching with the bodies that animate them. STRING THING #2 exists in the space between the two bodies that wear it, and the bonded trust. They are its backbone. Without them it makes no sound.
San Francisco based percussionist and Artistic Director of The Living Earth Show ANDY MEYERSON performs solo and with special guests. Meyerson is the drummer and co-founder of queer nü metal collective COMMANDO, music director of renegade dance company Post:ballet, drummer for Russian feminist protest and performance art group Pussy Riot, the artistic director and CEO of uncompromising experimental chamber music record label Earthy Records, and a renowned solo artist.

FEBRUARY 8 2026 7:15pm

BRETT CARSON presents an evening of original compositions. These include Exeunt Ion for solo piano and Game Boy; Three text scores, a series of graphic scores exploring strategies for improvisation based on experimental poetics; and a new piece, Bacterial adhesion onto apatite minerals — electrokinetic aspects for keyboard, percussion, drum set, and electronics. Performers include WILLIAM WINANT, JORDAN GLENN, DAVID KATZ, SAKI MINAMIMOTO, and DANISHTA RIVERO.
Guitarist GIACOMO FIORE premieres Gift by MATT SARGENT, a set of 13 variations for guitar and electronics on the Shaker tune “Simple Gifts.” The piece was commissioned by Fiore for just intonation resophonic guitar, an instrument originally conceived for the composition of Lou Harrison’s Scenes from Nek Chand in 2002. In Gift, the original tune is buried and unheard an octave below the range of the guitar. What we hear, instead, is music blooming up from the ground that is made out of the harmonics of “Simple Gifts.” As these overtone flowers take shape on the guitar, a ghost occasionally emerges on the right side of the stage, building a halo of resonance around the guitarist.
FEBRUARY 15 2026 8pm (NEW START TIME!)

MOE STAIANO'S MUSIC FOR EIGHT GUITARS
JOSHUA ALLEN
MOE STAIANO continues to explore works for electric guitar ensembles with his third work-in-progress composition, Music for Eight Guitars (The Parting Gift). This plans to be an exploration of tonal interplay and contrasting rhythms with eight electric guitars, bass, drums and percussion. He plans to have it feature assertive rhythmic structures and intertwining tremolo structures, balanced by continuous play against each guitarist with bouncing rhythms and ongoing hockets while surrounding the audience with a bombastic attack. This piece comes after his Music for 48 Guitars (2023), which has yet to be performed.
Bay Area tenor saxophonist JOSHUA ALLEN unveils a new direction of deeply intimate solo works. Following a challenging hiatus while recovering from two recent surgeries, Allen has spent months of intensive recovery dedicated to a meticulous "re-mapping" of his instrument. This new vocabulary of soft, micro-textural multiphonics was refined amidst the ambient hum of the Rockridge BART station. By transforming a public transit hub into a laboratory for sonic exploration, he has mastered the art of projecting even the softest timbres with clarity and soul. Join us for a performance that celebrates resilience and the beauty of finding a new voice in the quietest spaces.
FEBRUARY 22 2026 7:15pm

HANNA BROBACK + JOHN TESKE + NOEL KENNON (String Trio, Seattle) is an ensemble currently working with sustained frequencies, harmonic structures, and open form composition . For this evening joined by ADAM LION (Vibraphone, LA) they will realize pages from Noel's typewriter score 13 harmonic weather formations. This music unfolds slowly and attempts to sound a slow spectral image.
GACHAPON, an improvisational New Music ensemble featuring NANCY BECKMAN, shakuhachi and percussion; CINDY SAWPRANO, musical saw, accordion, voice and percussion; TOM BICKLEY, EWI electronic wind instrument; and DEAN SANTOMIERI, taishogoto and guitar, performs with dancer CHRISTINA BRAUN.
Gachapon is an improvising New Music quartet with a slightly Asian music flavor characteristic of both the Shakuhachi, an end blown flute usually made of bamboo, and Taishogoto, an electric instrument with presets that mimic both Japanese and western instruments. The EWI (electronic wind instrument) also has preset sounds capable of producing flute, brass, reed, woodwind and synthesizer sounds. The bowed saw brings unusual timbres into the mix and is capable of extreme glissandi. The guitar, accordion, and Taishogoto can play chords as well, which are often used to give a key center or sound bed for the other players to solo over. Additionally, all the group members play percussion instruments.
Gachapon often employs a Gray Code derived score to indicate which players will play or not play along a time grid. So, at various moments, one member might be playing solo while the others sit out. The score determines when solos, duos, trios or the full quartet play, which brings a unique listening experience to an audience more familiar with other improvising ensembles. “Gachapon” is also the onomatopoeic name given to a certain type of Japanese vending machine toys. Christina Braun will be dancing with the group during this performance. Her dancing incorporates elements of ballet, Jazz, Modern and Butoh styles.

MARCH 8 2026 7:15pm

Berlin-based double bassist REBECCA LAWRENCE performs Imaginary Light, a program of contemporary works for solo double bass. Through extended techniques and alternative tunings, the sonic compass of the double bass is exposed, expanded and illuminated. Known for her collaborative work as a contemporary and early music double bassist in Europe and the USA, Rebecca is a member of berlin-based EnsembleKollektiv as well as a frequent guest with ensembles such as Klangforum Wien, Ensemble Modern, ensemble mosaik, the Basel Sinfonietta and Matter of Facts Studio. She combines her interest in contemporary and baroque music with individual projects involving improvisation on early instruments.
Jacob Druckman: Valentine (1969)
Håkon Thelin: Amarcord (2003)
Haukur Þór Harðarson: new work (2026)
Rebecca Saunders: Fury (2005)
The OAKLAND REDUCTIONIST ORCHESTRA is a supergroup of Bay Area musicians with a predilection for lowercase, fricative, and reductionist improvisation that often sounds more electronic than acoustic, the ensemble comes out of a rich tradition of "American reductionist" music that blossomed in the late 1990s and early 2000s. Musicians: tom djll, trumpet; ron heglin, tuba; monica scott, cello; matt ingalls, clarinets; lisa mezzacappa, bass; kyle bruckmann, oboe, english horn; kevin ck lo, flute, violin, piano; kevin corcoran, percussion; kanoko nishi-smith, koto; john ingle, saxophones; jacob felix heule, percussion; diane grubbe, flutes; danishta rivero, voice; cody putman, bassoon; chris cooper, guitar, electronics; cheryl e leonard, natural-object instruments; brendan lai-tong, trombone.

MARCH 15 2026 7:15pm
BEN GOLDBERG + DILLON VADO + TIM BULKLEY
FILMS BY DAVID MICHALAK, STEVE MOBIA, ARTHUR GANSON
Clarinetist BEN GOLDBERG joins DILLON VADO (vibraphone) and TIM BULKLEY (drums) in a set of trio improvisations. Sound knowledge and awareness from planet Neptone. The practice of remembering what you can't forget. Come have a listen; you won't believe your ears. Or else, you will believe your ears but there might be something else you don't believe. Or maybe nothing at all.
EYE-FULL FILMS presents a set of experimental films by DAVID MICHALAK, STEVE MOBIA, and ARTHUR GANSON, including the premiere showing of Michalak's Still Movin'.
PROGRAM
DAVID MICHALAK - Life Is a Serious Business (1983, color, B+W, 8 min.)
George Kuchar in dual roles as Instructor and hopeless nebbish attempts to instruct himself out discouragement. The dialogue has been appropriated from a “How to Overcome
Discouragement” instructional record. Music by Dean Santomieri
ARTHUR GANSON - Machines (various shorts 1978-2004, color, B+W, 6 min)
STEVE MOBIA – Nudge (2012, color, 8min.)
a pinball percussion piece that features the sounds of vintage pinball machines, scored by Steve and performed by members of the Composers Orchestra.
DAVID MICHALAK - Still Movin’ (2025, color, 6 min)
Nature’s beautiful abstractions present themselves through a car window. World premiere! Soundtrack by Dr. Bob
DAVID MICHALAK - The Secret Opera (2025, color, B+W, 13 min.)
Grum, an opera singer played by Bob Marsh searches for the key to love & art attempting to perform in spite of aphonia, inner demons and a ghost that has been haunting and dooming
performances in the decaying Opera House. Soundtrack by Dr. Bob.
DAVID MICHALAK - Regenbogen (1998, color, 4 min.)
an animated rainbow, soundtrack by Reel Change
plus a surprise film!

March 20 2026 6:30pm
SPECIAL LOCATION: Indian Rock Park, 950 Indian Rock Ave, Berkeley
FREE!
SFSOUND musicians join the bird ensemble in a Spring Equinox outdoor performance
of WENDY REID'S Ambient Bird-Indian Rock 2026, with BRENDA HUTCHINSON’S Dailybell at
sunset.
Ambient Bird - Indian Rock 2026 is a 44-minute interspecies sonic environment that
invites humans, animals, and nature to come together in a shared experience of sound,
silence, and connection. The ambient landscape and experimental musicians, with
traditional and invented instruments, create a collaborative and inclusive space where
all are welcome to listen, engage and contribute to the evolving soundscape. Among themany species of birds at Indian Rock, there are Bewick's Wrens, Dark-eyed Juncos,
Nuttall's Woodpeckers, Anna's Hummingbirds, California Scrub-Jays, American Crows,
and various raptors.
The structure of this work can be described as a musical process which attempts to
reflect nature’s manner of operations: a spatially notated score of sonic fragments
transcribed from bird-human interactions is interpreted and performed by the musicians
within the ambient environment of Indian Rock. Contextual in nature, the work allows
performers to act according to unpredictable conditions and variables which arise within
the musical continuity. In performance, an attempt is made at a spontaneous unforced
growing of sound and silence in which emphasis is placed on formation rather than pre-
established form, as in the building and shaping of cell-like units in living processes.
This site-specific piece, as with the first incantation, ‘Ambient Bird 433’, pays homage to
JOHN CAGE’S composition 4’33”(1952).
Dailybell: immediately after the performance, at sunset, Brenda Hutchinson leads
everyone in bell-ringing, celebrating the Spring Equinox: created by composer and
sound artist Brenda Hutchinson in 2008, Dailybell is an ongoing aspirational project
based on the premise that something as inarguable as the movement of the Earth can
be used as a point of unity and awareness among groups of people who might
otherwise find it impossible to agree.
About the site: Indian Rock Park was originally the land of the Ohlone people, who
consider their connection to the rocks to be sacred. It remains a place of cultural
significance that people protect and recognize its history. It is the hope of many that one
day it will be returned to its indigenous inhabitants.
There is no formal seating: the audience sits on the stone steps or grass, stands, or wanders.
This performance is included in ‘Ambient Bird-Berkeley’ (2025-26), a project supported
in part by a Civic Arts Grant from the City of Berkeley

MARCH 22 2026 7:15pm

FRED FRITH (bass/viola) has been a dauntless explorer, improviser, and collaborator in the half-century since he made that breakthrough. From leaving Henry Cow to start Art Bears, from leaving England to enlist in a hyperactive New York improvisational circuit that led him to join Naked City and launch his own Massacre, Frith has situated his extended techniques and handmade instruments in dozens of different contexts. A longtime teacher at California’s Mills College, he brings another new band, FREMAKAJO. He has tapped intertwining Bay Area circles to build this quartet, with curious and playful drummer JORDAN GLENN joining exploratory saxophonist KASEY KNUDSEN and stylistically globetrotting accordionist MARIÉ ABE.
SOCIAL STUTTER, a saxophone quartet led by composer/altoist BETH SCHENCK, blurs the line between strictly written chamber music and soaring free jazz. Solos emerge from the natural order of intricately written lines that, although begin simply in structure, twist and distort themselves into surprisingly complex shapes and forms. Unlike traditional saxophone quartets, most compositions call for two altos, tenor, and bari, which leads itself to denser harmonic territory and a uniquely homogenous sound. Masters of texture and nuance, the quartet has a keen awareness of how to support and push one another's creative boundaries. Social Stutter is comprised of some of the Bay Area's most unique voices: KASEY KNUDSEN, RAFFI GARABEDIAN, CORY WRIGHT and BETH SCHENCK.

MARCH 29 2026 7:15pm

LEVITATOR is a Bay Area–based trio featuring KJELL NORDESON (drums), SAFA SHOKRAI (bass), and MARK PASCUCCI-CLIFFORD (vibraphone). Performing original compositions and improvisations, the group has been developing its sound together since 2021. Rooted in the jazz tradition while drawing from free improvisation and contemporary creative music, Levitator’s music balances structure, spontaneity, and collective interplay.
Two Sisters is the next installment in MAX ABNER'S series of operas that combine set librettos with improvised music. Set in the rural enclave known as Rough River, two sets of sisters (one set unremarkable, one set former child stars) live in adjacent riverhouses overlooking the water. Each set—guarded by deeply attentive mothers—suffers from various forms of emotional arrested development. When one of the former child stars drowns in a flood, one of the more pedestrian sisters becomes convinced that she is the drowned sister, still very much alive. Two Sisters plumbs the ensuing blurriness, as mourning, care, delusion, and placation mingle in a case of mistaken and troubled identification.
Two Sisters
a work-in-progress staged reading
Creative Team:
Libretto/Score by MAX ABNER
Directed by MICHAEL ROGERSON
Musical Direction by SADIE GREYDUCK
Cast:
Max: Max Abner
Joseph: Joseph Dee Bradshaw
Sister (S): Captainmcsweeney (Kaitlin McSweeney)
Her Sister (H): Truce Hansen
Mom and Mommy: Celeste Winant
Famous Sister (F): Vika
Other Sister (O): Giulia Chiappetta
Ensemble:
Sadie Greyduck: upright bass
Travis Snyder: pedal steel
Joseph Dee Bradshaw: acoustic guitar
Max Abner: cassettes
Tim Decillis: drums

APRIL 12 2026 7:15pm

Boston-based DEPARTURE DUO (Nina Guo, soprano and Edward Kass, double bass) probes the experimental side of soprano and double bass with commissioned pieces from Christian Wolff, Erin Gee, and Andrew Watts. In a program that pushes their high-low combination through the Looking Glass, Departure Duo invites listeners to a world where voice and instrument become one sonic body, sound off on a proto-language, and follow gargoyles on a PM walk. Bring open ears to explore the extremities of soprano and double bass with us.
For Charles North’s 15 Poems and Liner Notes 2 by Christian Wolff
Mouthpiece 43 by Erin Gee
Garden Clocks by Njabulo Phungula
Linear B by Andrew Watts
CHERYL LEONARD makes field recordings of natural soundscapes, and builds and plays electroacoustic instruments made out of natural materials such as bones, driftwood, shells, seaweed, feathers, and stones. WOBBLY sees the long histories of feedback and generative music as attempts to better understand what all those animals are singing about. Recently they've been driving to the Marin Headlands to make hydrophone recordings of the Newt Pond that was once an anti-aircraft gun turret, you know the one, but if you haven't stuck your head underwater to hear the sound of photosynthesizing pond weed, don't -- those newts are poisonous.

APRIL 26 2026 7:15pm

HOMMAGES TO JANÁČEK AND KURTÀG
MONICA SCOTT + KATE STENBERG + LINDA GREEN + HADLEY MCCARROLL + KYMRY ESAINKO
Subtle colors, quiet nuances and intense communication - György Kurtág and Leos Janáček's music for pianos and strings will draw you into a magical world where every sound, every gesture conjures up memories or heightens awareness of the present.
Cellist and composer MONICA SCOTT has transcribed Janáček's piano work The Overgrown Path for violin, viola and cello, inspired by the unique way the composer transforms melodies through harmonic experimentation, and how he treats rhythms drawn from speech patterns and nature. Interspersed with the 10 short pieces in that series, are György Kurtág's exquisite miniatures Signs, Games and Messages - in versions for piano four hands, two pianos and string trio.
The trio is: violinist KATE STENBERG, who has appeared numerous times at the Dresher Studio, most recently in a commission by Pamela Z, alongside Sarah Cahill; violist LINDA GREEN, whose career spans teaching music in OUSD, performing with the Oakland Symphony and many other local orchestras, and frequent chamber music collaborations throughout the Bay Area; cellist MONICA SCOTT - who is a member of sfSound, oakland reductionist orchestra and duo martha & monica - all of whom perform often at the Dresher Studios and West Oakland Sound Series. Pianist HADLEY MCCARROLL (of martha & monica and sfSound) is joined by KYMRY ESAINKO - another pianist well known to Bay Area audiences - for the works by Kurtág and his transcriptions of Machaut and Bach.
The program also includes two short works, Hommages to Janáček and Kurtàg, composed by Monica Scott.

MAY 10 2026 7:15pm
$20 click here to purchase advance tickets online
(FREE for students and financially challenged)

MICHAEL J. SCHUMACHER (New York) presents various “immersive/dispersive” fixed media works, composed for his portable 8 channel system and adapted for Dresher Studio's multi-channel Meyer sound system. Utilizing a radically inclusive palette of sounds, the pieces wrap the audience in webs of potential associations, making listening as vital to the creation of meaning as the act of composing itself.
Trombonist/Composer/Improviser MARC PEREZ (Santa Cruz) and bassist JEFF SCHWARTZ (Santa Monica) present a set of duo improvisations.
Marc Perez is a west coast based transdisciplinary creator/artist, curator and organization leader whose work is concerned with freedom of agency, access, & improvisation. As a performer, marc has performed and collaborated with a wide array of improvisers across the US, including Devin Daniels, Andrew Weathers, Vinny Golia, William Roper, Matt Crane, Dan Clucas, Lucy Liu, The Pan Afrikan Peoples Arkestra, You, Me & The Whales, Angel Lin & Corey Fogel.
Jeff Schwartz is very active in Los Angeles’ improvised and experimental music communities. He has performed with artists including Anthony Braxton, Glenn Branca, Dana Reason, Nicole Mitchell, Elliott Levin, and Adam Rudolph and attended the Creative Music Studio and the Vancouver Creative Music Institute. As principal bass of MESTO, he has toured the Middle East playing Arabic music, and he works with classical groups including the Santa Monica Symphony, the Vicente Chamber Orchestra, and the Culver City Chamber Orchestra.

MAY 17 2026 7:15pm
$20 click here to purchase advance tickets online
(FREE for students and financially challenged)

NEIL ROLNICK performs So Many Me's, with choreographer and dancer ALEX OLIVA (and her 8 foot ladder). measuring ... selling ... falling apart ... acting out ... surrender ... Neil also performs the score to Barbara Hammer's 1990 experimental film Sanctus, featuring a host of x-ray skeletons playing trumpets, drinking, shaking hands, shaving, putting on lipstick, all to the live mashup of Sanctus movements from masses by Machaut, Bach, Beethoven & Verdi.
“Plonsey Scheme” has nothing to do with finding suckers to invest in this “music” thing which promises to be such a hot commodity, with the fraudster paying off older investors with the funds provided by the younger ones -- but as we get older it is admittedly a little more like it: what experiences, revelations and revolutions can we promise you? MANTRA PLONSEY writes the words while DAN PLONSEY writes the music, but it comes together for the first (and last) time during performance. The music is written to accommodate improvisations utilizing various constraints, miniature compositions within compositions, fragments of songs from Eastern Europe and Northern El Cerrito. The band includes bagpipes virtuoso MATTHEW WELCH (also accordion and Balinese suling), clarinet/saxophone/flutist CORY WRIGHT (also trombone), guitarist TOMEK SINCLAIR, STEVE ADAMS on electronics (into PA), flute, sax, violinist KATE DOLLENMAYER, percussionist WARD SPANGLER, and MIC GENDREAU on turntables, electronics and percussion (and perhaps clarinet). Mantra sings and speaks, Dan plays reeds, brass, melodica, and bits of cheap percussion. And KATTT ATCHLEY provides a backdrop of projected tableaux of dolls among art: in movement along with their lighting on a system of turntables and lazy susans. PLONSEY SCHEME is eery, majestic, lost, mysterious, ceremonial, and more/less than just there.

MAY 24 2026 7:15pm
$20 click here to purchase advance tickets online
(FREE for students and financially challenged)
ANTIMATTER (xopher Davidson, analog / digital electronics) and JACOB FELIX HEULE (percussion): Wave Function Collapse, resting upon the threshold between a state of limitless potentials and one of decoherence-that which cannot be measured, quantified, simulated or collected as data. Forever drifting over time, a spectral bass-relief sculpted by entropy.
MEERENAI SHIM and DIANE GRUBBE team up to perform composed and improvised music for a variety of flutes, including glissando and contrabass flutes. The program includes Salvatore Sciarrino’s Il pomeriggio di un allarme al parcheggio for glissando flute, Pathways for two flutes by Efraín Amaya, Matthew Joseph Payne’s Etude for contrabass flute and TI83+ calculator and the premiere of a duo for two glissando flutes by Diane Grubbe.


MAY 31 2026 7:15pm
$20 click here to purchase advance tickets online
(FREE for students and financially challenged)
WEST OAKLAND SOUND SERIES' house new music ensemble, sfSoundGroup, presents a program traversing over 100 years of the avant-garde. The evening is anchored by ERIK SATIE'S minimalistic CINEMA (1926), performed live to RENÉ CLAIR’S landmark silent short Dada film, Entr’acte.
The concert features a trio of works by LARRY POLANSKY (1954 - 2024) that showcase his unique formal processes. The World’s Longest Melody employs a generative "morphing" technique to weave a single, continuous thread of sound through ever-shifting musical terrain. Approaching the Azimuth..., a short solo clarinet work written for Matt Ingalls, is a computer generated form with various distributions of the instrument's natural harmonics. freeHorn concludes the set with shimmering, resonant textures that invite an ensemble of improvisers to explore the natural physics of the harmonic series.
TOM DAMBLY premieres La trompette concrète 2, a new work for trumpet and multichannel electronics while MATT INGALLS reimagines the very first work written for the group, Fences (2001), a hybrid score of graphical and traditional notation with a heavy dose of improvisation.
PROGRAM
Erik Satie - CINEMA (1926)
with René Clair’s silent Dada short film, Entr’acte (1924)
Larry Polansky - The World’s Longest Melody (1993)
Larry Polansky - Approaching the Azimuth... (1998)
Larry Polansky - freeHorn (2004)
Tom Dambly - La trompette concrète 2 (2026)
Matt Ingalls - Fences (2001/2026)
MUSICIANS
Diane Grubbe, flute
Matt Ingalls, clarinet
John Ingle, saxophone
Tom Dambly, trumpet
Brendan Lai-Tong, trombone
Giacomo Fiore, guitar
Hadley McCarroll, piano
Kjell Nordeson, percussion
Monica Scott, cello
Lisa Mezzacappa, bass

June 7 2026 7:15pm
$20 click here to purchase advance tickets online
(FREE for students and financially challenged)
ROVA SAXOPHONE QUARTET presents two sets of original compositions.
First, commissioned works and recent Rova compositions for the quartet, including Music for Mouths by MIYA MASAOKA, The Knot Gallery by JOHN BUTCHER, I, Norton by GINO ROBAIR and pieces by quartet members.
In the second half, Rova joins by KAREN STACKPOLE (Gongwoman) for a set of Rova works adapted for saxophone quartet plus gongs and percussion. First streamed live in March of 2022, the works are presented to a live audience for the first time.

June 28 2026 7:15pm
$20 click here to purchase advance tickets online
(FREE for students/seniors/underemployed)
KOLE GALBRAITH is a multi-disciplinary artist who focuses on sound, audio-visual, and found-object installation. Based in Seattle, Washington, Kole Galbraith has been active in the underground experimental music community for the past decade performing throughout the West Coast of the United States and Europe. Sonically his sonic studio compositions are informed by early 20th century French musique-concrète, metal, jazz and contemporary composition. Thematically, the compositions are influenced by interior Salish folklore, and contemporary indigenous experience. Galbraith mixes using materials found in nature with electronic techniques to uncover both latent sonic capabilities and to uncover latent histories.
ERIC THEISE'S set of cartographic works includes the West Coast premiere of his collaboration with composer SHAHRZAD TALEBI (a piece commissioned for the inaugural season of dadageek's Contemporary Art & Sound Technologies, played here by percussionists SUKI O'KANE and GRAHAM VIEGUT), a performance of A Synesthete's Atlas with pianist CHRISTOPHER HARTO, and a solo work for optical sound.
Unseen Stream: a 30 minute performance of JAIME ROBLES'S poem, Unseen Stream, with video by Jaime Robles, music by NANCY BECKMAN (shakuhachi, ocarina, voice), TOM BICKLEY (EWI/electronics, voice), and JAIME ROBLES (voice and percussion). The video projection is fixed media of water in various streams, with some text from the poem. The performance is enclosed in a soundscape of processed sounds of water flowing and footsteps on dry leaves. The music is improvised, with the text sung and interludes of instrumental music between sections of the poem.


