WEST
OAKLAND
SOUND
SERIES
2026


JAN 9-11 - SAN FRANCISCO TAPE MUSIC FESTIVAL

JAN 25 - STRING THING #2 (OBERLIN) / ANDY MEYERSON

FEB 8 -  GIACOMO FIORE + MATT SARGENT (NEW YORK) / BRETT CARSON COMPOSITIONS

FEB 15 - MOE STAIANO'S MUSIC FOR EIGHT GUITARS / JOSHUA ALLEN

FEB 22 - GACHAPON / BROBACK + TESKE + KENNON (seattle) w/ LION (la)

MAR 8 - REBECCA LAWRENCE (berlin) / OAKLAND REDUCTIONIST ORCHESTRA

MAR 15 - BEN GOLDBERG GROUP / FILMS BY DAVID MICHALAK, STEVE MOBIA, ARTHUR GANSON

MAR 20 - SPECIAL LOCATION! WENDY RIED'S "AMBIENT BIRD" @ INDIAN ROCK PARK BERKELEY 
MAR 22 - FREMAKAJO(FRITH+ABE+KNUDSEN+GLENN)/SOCIAL STUTTER(SCHENK+GARABEDIAN+KNUDSEN+WRIGHT)
MAR 29 - LEVITATOR TRIO (CLIFFORD+SHOKRAI+NORDESON) / "TWO SISTERS" BY MAX ABNER

APRIL 12 - DEPARTURE DUO (BOSTON) / CHERYL E LEONARD + WOBBLY

APRIL 26 - MONICA SCOTT: HOMMAGES TO JANÁČEK AND KURTÀG

MAY 10 - MICHAEL SCHUMACHER (NYC) / MARC PEREZ + JEFF SCHWARTZ (LA)

MAY 17 - NEIL ROLNICK (NYC) / PLONSEY SCHEME (EC)
MAY 24 - ANTIMATTER + JACOB FELIX HEULE / DIANE GRUBBE + MEERENAI SHIM

MAY 31 - SFSOUND: POLANSKY, SATIE + CLAIR, DAMBLY, INGALLS

SUN JUNE 7 - ROVA + GONGWOMAN

SUN JUNE 28 - KOLE GALBRAITH (seattle) / ERIC THEISE / ROBLES + BECKMAN + BICKLEY
SUN JULY 19- THE SKY IS A SUITCASE (seattle) / INSECT LIFE
SUN JULY 26 - FF (SHARKIFACE + AVA KOOHBOR) / CHRIS EVERINGHAM / KIMIA KOOCHAKZADEH-YAZDI 
SUN AUG 2 - NW EXPERIMENTAL GUITAR ORCHESTRA (seattle) / LORIN BENEDICT + CASEY TESSIER
SUN AUG 9 - JEAN CARLA RODEA W/  BRUCKMANN,  L-HOLM, NISHI / AINE NAKAMURA W/ INGALLS
SUN AUG 16 - NATHAN CLEVENGER / FORNAX LINTEUM

SUN AUG 23 - WEST OAKLAND TAPE MUSIC FESTIVAL

SUN AUG 30 - DOMI + KAITLIN MCSWEENEY + K. FRANCIS MESSER / KEN UENO + MATT INGALLS

SUN SEP 13 - GERYON TRIO: RANDOM RUMINATIONS/ DANA REASON + PHIL GELB + KYLE BRUCKMANN

SUN SEP 20 - MARGUERITE BROWN / DIANE GRUBBE: GLISSANDO FLUTE PROJECT

JANUARY 25 2026  7:15pm

Made by Fae Ordaz and Penina Biddle-Gottesman, the first String Thing was born from a bucket of discarded piano bass strings. Fastened with nails to two blocks of scrap wood, at their best they produced a low resounding thud. A year later the second String Thing came to fruition, this time made of harpsichord strings and a cigar box, fashioned with guitar pegs, heart-shaped holes, and bridges. These strings are strong and thin, bending and stretching with the bodies that animate them. STRING THING #2 exists in the space between the two bodies that wear it, and the bonded trust. They are its backbone. Without them it makes no sound.

 

San Francisco based percussionist and Artistic Director of The Living Earth Show ANDY MEYERSON performs solo and with special guests. Meyerson is the drummer and co-founder of queer nü metal collective COMMANDO, music director of renegade dance company Post:ballet, drummer for Russian feminist protest and performance art group Pussy Riot, the artistic director and CEO of uncompromising experimental chamber music record label Earthy Records, and a renowned solo artist.
 

FEBRUARY 8 2026  7:15pm

BRETT CARSON presents an evening of original compositions. These include Exeunt Ion for solo piano and Game Boy; Three text scores, a series of graphic scores exploring strategies for improvisation based on experimental poetics; and a new piece, Bacterial adhesion onto apatite minerals — electrokinetic aspects for keyboard, percussion, drum set, and electronics. Performers include WILLIAM WINANT, JORDAN GLENN, DAVID KATZ, SAKI MINAMIMOTO, and DANISHTA RIVERO.

 

 

Guitarist GIACOMO FIORE premieres Gift by MATT SARGENT, a set of 13 variations for guitar and electronics on the Shaker tune “Simple Gifts.” The piece was commissioned by Fiore for just intonation resophonic guitar, an instrument  originally conceived for the composition of Lou Harrison’s Scenes from Nek Chand in 2002. In Gift, the original tune is buried and unheard an octave below the range of the guitar. What we hear, instead, is music blooming up from the ground that is made out of the harmonics of “Simple Gifts.” As these overtone flowers take shape on the guitar, a ghost occasionally emerges on the right side of the stage, building a halo of resonance around the guitarist.

FEBRUARY 15 2026  8pm (NEW START TIME!)

MOE STAIANO'S MUSIC FOR EIGHT GUITARS 
JOSHUA ALLEN

MOE STAIANO continues to explore works for electric guitar ensembles with his third work-in-progress composition, Music for Eight Guitars (The Parting Gift). This plans to be an exploration of tonal interplay and contrasting rhythms with eight electric guitars, bass, drums and percussion. He plans to have it feature assertive rhythmic structures and intertwining tremolo structures, balanced by continuous play against each guitarist with bouncing rhythms and ongoing hockets while surrounding the audience with a bombastic attack. This piece comes after his Music for 48 Guitars (2023), which has yet to be performed.

 

Bay Area tenor saxophonist JOSHUA ALLEN unveils a new direction of deeply intimate solo works. Following a challenging hiatus while recovering from two recent surgeries, Allen has spent months of intensive recovery dedicated to a meticulous "re-mapping" of his instrument. This new vocabulary of soft, micro-textural multiphonics was refined amidst the ambient hum of the Rockridge BART station. By transforming a public transit hub into a laboratory for sonic exploration, he has mastered the art of projecting even the softest timbres with clarity and soul. Join us for a performance that celebrates resilience and the beauty of finding a new voice in the quietest spaces.


 

FEBRUARY 22 2026  7:15pm

HANNA BROBACK + JOHN TESKE + NOEL KENNON (String Trio, Seattle) is an ensemble currently working with sustained frequencies, harmonic structures, and open form composition . For this evening joined by ADAM LION (Vibraphone, LA) they will realize pages from Noel's typewriter score 13 harmonic weather formations. This music unfolds slowly and attempts to sound a slow spectral image.



GACHAPON, an improvisational New Music ensemble featuring NANCY BECKMAN, shakuhachi and percussion; CINDY SAWPRANO, musical saw, accordion, voice and percussion; TOM BICKLEY, EWI electronic wind instrument; and DEAN SANTOMIERI, taishogoto and guitar, performs with dancer CHRISTINA BRAUN.

 

Gachapon is an improvising New Music quartet with a slightly Asian music flavor characteristic of both the Shakuhachi, an end blown flute usually made of bamboo, and Taishogoto, an electric instrument with presets that mimic both Japanese and western instruments. The EWI (electronic wind instrument) also has preset sounds capable of producing flute, brass, reed, woodwind and synthesizer sounds. The bowed saw brings unusual timbres into the mix and is capable of extreme glissandi. The guitar, accordion, and Taishogoto can play chords as well, which are often used to give a key center or sound bed for the other players to solo over. Additionally, all the group members play percussion instruments.

 

Gachapon often employs a Gray Code derived score to indicate which players will play or not play along a time grid. So, at various moments, one member might be playing solo while the others sit out. The score determines when solos, duos, trios or the full quartet play, which brings a unique listening experience to an audience more familiar with other improvising ensembles. “Gachapon” is also the onomatopoeic name given to a certain type of Japanese vending machine toys. Christina Braun will be dancing with the group during this performance. Her dancing incorporates elements of ballet, Jazz, Modern and Butoh styles.
 

MARCH 8 2026  7:15pm

Berlin-based double bassist REBECCA LAWRENCE performs Imaginary Light, a program of contemporary works for solo double bass. Through extended techniques and alternative tunings, the sonic compass of the double bass is exposed, expanded and illuminated. Known for her collaborative work as a contemporary and early music double bassist in Europe and the USA, Rebecca is a member of berlin-based EnsembleKollektiv as well as a frequent guest with ensembles such as Klangforum Wien, Ensemble Modern, ensemble mosaik, the Basel Sinfonietta and Matter of Facts Studio. She combines her interest in contemporary and baroque music with individual projects involving improvisation on early instruments.

 

Jacob Druckman: Valentine (1969)

Håkon Thelin: Amarcord (2003)

Haukur Þór Harðarson: new work (2026)

Rebecca Saunders: Fury (2005)

 


The OAKLAND REDUCTIONIST ORCHESTRA is a supergroup of Bay Area musicians with a predilection for lowercase, fricative, and reductionist improvisation that often sounds more electronic than acoustic, the ensemble comes out of a rich tradition of "American reductionist" music that blossomed in the late 1990s and early 2000s.  Musicians: tom djll, trumpet; ron heglin, tuba; monica scott, cello; matt ingalls, clarinets; lisa mezzacappa, bass; kyle bruckmann, oboe, english horn; kevin ck lo, flute, violin, piano;  kevin corcoran, percussion; kanoko nishi-smith, koto; john ingle, saxophones; jacob felix heule, percussion; diane grubbe, flutes; danishta rivero, voice; cody putman, bassoon; chris cooper, guitar, electronics; cheryl e leonard, natural-object instruments; brendan lai-tong, trombone.

MARCH 15 2026  7:15pm

Clarinetist BEN GOLDBERG joins DILLON VADO (vibraphone) and TIM BULKLEY (drums) in a set of trio improvisations. Sound knowledge and awareness from planet Neptone. The practice of remembering what you can't forget. Come have a listen; you won't believe your ears. Or else, you will believe your ears but there might be something else you don't believe. Or maybe nothing at all.

 

 

EYE-FULL FILMS presents a set of experimental films by DAVID MICHALAK, STEVE MOBIA, and ARTHUR GANSON, including the premiere showing of Michalak's Still Movin'.

 

PROGRAM

 

DAVID MICHALAK - Life Is a Serious Business (1983, color, B+W, 8 min.)

George Kuchar in dual roles as Instructor and hopeless nebbish attempts to instruct himself out discouragement. The dialogue has been appropriated from a “How to Overcome
Discouragement” instructional record. Music by Dean Santomieri

 

ARTHUR GANSON - Machines (various shorts 1978-2004, color, B+W, 6 min)

 

STEVE MOBIA – Nudge (2012, color, 8min.)

a pinball percussion piece that features the sounds of vintage pinball machines, scored by Steve and performed by members of the Composers Orchestra.

 

DAVID MICHALAK - Still Movin’ (2025, color, 6 min)

Nature’s beautiful abstractions present themselves through a car window. World premiere! Soundtrack by Dr. Bob

 

DAVID MICHALAK - The Secret Opera (2025, color, B+W, 13 min.)

Grum, an opera singer played by Bob Marsh searches for the key to love & art attempting to perform in spite of aphonia, inner demons and a ghost that has been haunting and dooming
performances in the decaying Opera House. Soundtrack by Dr. Bob.

 

DAVID MICHALAK - Regenbogen (1998, color, 4 min.)

an animated rainbow, soundtrack by Reel Change

 

plus a surprise film!

March 20 2026  6:30pm

SPECIAL LOCATION: Indian Rock Park, 950 Indian Rock Ave, Berkeley

FREE!

SFSOUND musicians join the bird ensemble in a Spring Equinox outdoor performance

of WENDY REID'S Ambient Bird-Indian Rock 2026, with BRENDA HUTCHINSON’S Dailybell at

sunset.

 

Ambient Bird - Indian Rock 2026 is a 44-minute interspecies sonic environment that

invites humans, animals, and nature to come together in a shared experience of sound,

silence, and connection. The ambient landscape and experimental musicians, with

traditional and invented instruments, create a collaborative and inclusive space where

all are welcome to listen, engage and contribute to the evolving soundscape. Among themany species of birds at Indian Rock, there are Bewick's Wrens, Dark-eyed Juncos,

Nuttall's Woodpeckers, Anna's Hummingbirds, California Scrub-Jays, American Crows,

and various raptors.

 

The structure of this work can be described as a musical process which attempts to

reflect nature’s manner of operations: a spatially notated score of sonic fragments

transcribed from bird-human interactions is interpreted and performed by the musicians

within the ambient environment of Indian Rock. Contextual in nature, the work allows

performers to act according to unpredictable conditions and variables which arise within

the musical continuity. In performance, an attempt is made at a spontaneous unforced

growing of sound and silence in which emphasis is placed on formation rather than pre-

established form, as in the building and shaping of cell-like units in living processes.

This site-specific piece, as with the first incantation, ‘Ambient Bird 433’, pays homage to

JOHN CAGE’S composition 4’33”(1952).

 

Dailybell: immediately after the performance, at sunset, Brenda Hutchinson leads

everyone in bell-ringing, celebrating the Spring Equinox: created by composer and

sound artist Brenda Hutchinson in 2008, Dailybell is an ongoing aspirational project

based on the premise that something as inarguable as the movement of the Earth can

be used as a point of unity and awareness among groups of people who might

otherwise find it impossible to agree.

 

About the site: Indian Rock Park was originally the land of the Ohlone people, who

consider their connection to the rocks to be sacred. It remains a place of cultural

significance that people protect and recognize its history. It is the hope of many that one

day it will be returned to its indigenous inhabitants.

 

There is no formal seating: the audience sits on the stone steps or grass, stands, or wanders.

 

This performance is included in ‘Ambient Bird-Berkeley’ (2025-26), a project supported

in part by a Civic Arts Grant from the City of Berkeley

MARCH 22 2026  7:15pm

FRED FRITH (bass/viola) has been a dauntless explorer, improviser, and collaborator in the half-century since he made that breakthrough. From leaving Henry Cow to start Art Bears, from leaving England to enlist in a hyperactive New York improvisational circuit that led him to join Naked City and launch his own Massacre, Frith has situated his extended techniques and handmade instruments in dozens of different contexts. A longtime teacher at California’s Mills College, he brings another new band, FREMAKAJO. He has tapped intertwining Bay Area circles to build this quartet, with curious and playful drummer JORDAN GLENN joining exploratory saxophonist KASEY KNUDSEN and stylistically globetrotting accordionist MARIÉ ABE.

 

 

SOCIAL STUTTER, a saxophone quartet led by composer/altoist BETH SCHENCK, blurs the line between strictly written chamber music and soaring free jazz. Solos emerge from the natural order of intricately written lines that, although begin simply in structure, twist and distort themselves into surprisingly complex shapes and forms. Unlike traditional saxophone quartets, most compositions call for two altos, tenor, and bari, which leads itself to denser harmonic territory and a uniquely homogenous sound. Masters of texture and nuance, the quartet has a keen awareness of how to support and push one another's creative boundaries. Social Stutter is comprised of some of the Bay Area's most unique voices: KASEY KNUDSEN, RAFFI GARABEDIAN, CORY WRIGHT and BETH SCHENCK.

MARCH 29 2026  7:15pm

LEVITATOR is a Bay Area–based trio featuring KJELL NORDESON (drums), SAFA SHOKRAI  (bass), and MARK PASCUCCI-CLIFFORD (vibraphone). Performing original compositions and improvisations, the group has been developing its sound together since 2021. Rooted in the jazz tradition while drawing from free improvisation and contemporary creative music, Levitator’s music balances structure, spontaneity, and collective interplay.

 

 

Two Sisters is the next installment in MAX ABNER'S series of operas that combine set librettos with improvised music. Set in the rural enclave known as Rough River, two sets of sisters (one set unremarkable, one set former child stars) live in adjacent riverhouses overlooking the water. Each set—guarded by deeply attentive mothers—suffers from various forms of emotional arrested development. When one of the former child stars drowns in a flood, one of the more pedestrian sisters becomes convinced that she is the drowned sister, still very much alive. Two Sisters plumbs the ensuing blurriness, as mourning, care, delusion, and placation mingle in a case of mistaken and troubled identification.

 

Two Sisters

a work-in-progress staged reading

 

Creative Team:

Libretto/Score by MAX ABNER

Directed by MICHAEL ROGERSON

Musical Direction by SADIE GREYDUCK
 

Cast:

Max: Max Abner

Joseph: Joseph Dee Bradshaw

Sister (S): Captainmcsweeney (Kaitlin McSweeney)

Her Sister (H): Truce Hansen

Mom and Mommy: Celeste Winant

Famous Sister (F): Vika

Other Sister (O): Giulia Chiappetta
 

Ensemble:

Sadie Greyduck: upright bass

Travis Snyder: pedal steel

Joseph Dee Bradshaw: acoustic guitar

Max Abner: cassettes

Tim Decillis: drums

APRIL 12 2026  7:15pm

Boston-based DEPARTURE DUO (Nina Guo, soprano and Edward Kass, double bass) probes the experimental side of soprano and double bass with commissioned pieces from Christian Wolff, Erin Gee, and Andrew Watts. In a program that pushes their high-low combination through the Looking Glass, Departure Duo invites listeners to a world where voice and instrument become one sonic body, sound off on a proto-language, and follow gargoyles on a PM walk. Bring open ears to explore the extremities of soprano and double bass with us. 


For Charles North’s 15 Poems and Liner Notes 2 by Christian Wolff
Mouthpiece 43 by Erin Gee
Garden Clocks by Njabulo Phungula
Linear B by Andrew Watts

 

 

CHERYL LEONARD makes field recordings of natural soundscapes, and builds and plays electroacoustic instruments made out of natural materials such as bones, driftwood, shells, seaweed, feathers, and stones.  WOBBLY sees the long histories of feedback and generative music as attempts to better understand what all those animals are singing about.  Recently they've been driving to the Marin Headlands to make hydrophone recordings of the Newt Pond that was once an anti-aircraft gun turret, you know the one, but if you haven't stuck your head underwater to hear the sound of photosynthesizing pond weed, don't -- those newts are poisonous.

APRIL 26 2026  7:15pm

HOMMAGES TO JANÁČEK AND KURTÀG
MONICA SCOTT + KATE STENBERG + LINDA GREEN + HADLEY MCCARROLL + KYMRY ESAINKO

Subtle colors, quiet nuances and intense communication - György Kurtág and Leos Janáček's music for pianos and strings will draw you into a magical world where every sound, every gesture conjures up memories or heightens awareness of the present.

 

Cellist and composer MONICA SCOTT has transcribed Janáček's piano work The Overgrown Path for violin, viola and cello, inspired by the unique way the composer transforms melodies through harmonic experimentation, and how he treats rhythms drawn from speech patterns and nature. Interspersed with the 10 short pieces in that series, are György Kurtág's exquisite miniatures Signs, Games and Messages - in versions for piano four hands, two pianos and string trio.


The trio is: violinist KATE STENBERG, who has appeared numerous times at the Dresher Studio, most recently in a commission by Pamela Z, alongside Sarah Cahill; violist LINDA GREEN, whose career spans teaching music in OUSD, performing with the Oakland Symphony and many other local orchestras, and frequent chamber music collaborations throughout the Bay Area; cellist MONICA SCOTT - who is a member of sfSound, oakland reductionist orchestra and duo martha & monica - all of whom perform often at the Dresher Studios and West Oakland Sound Series. Pianist HADLEY MCCARROLL (of martha & monica and sfSound) is joined by KYMRY ESAINKO - another pianist well known to Bay Area audiences - for the works by Kurtág and his transcriptions of Machaut and Bach.


The program also includes two short works, Hommages to Janáček and Kurtàg, composed by Monica Scott.

MAY 10 2026  7:15pm

$20 click here to purchase advance tickets online

(FREE for students and financially challenged)

MICHAEL J. SCHUMACHER (New York) presents various “immersive/dispersive” fixed media works, composed for his portable 8 channel system and adapted for Dresher Studio's  multi-channel Meyer sound system. Utilizing a radically inclusive palette of sounds, the pieces wrap the audience in webs of potential associations, making listening as vital to the creation of meaning as the act of composing itself.

 

 

Trombonist/Composer/Improviser MARC PEREZ (Santa Cruz) and bassist JEFF SCHWARTZ (Santa Monica) present a set of duo improvisations. 

 

Marc Perez is a west coast based transdisciplinary creator/artist, curator and organization leader whose work is concerned with freedom of agency, access, & improvisation. As a performer, marc has performed and collaborated with a wide array of improvisers across the US, including Devin Daniels, Andrew Weathers, Vinny Golia, William Roper, Matt Crane, Dan Clucas, Lucy Liu, The Pan Afrikan Peoples Arkestra, You, Me & The Whales, Angel Lin & Corey Fogel.  

 

Jeff Schwartz is very active in Los Angeles’ improvised and experimental music communities. He has performed with artists including Anthony Braxton, Glenn Branca, Dana Reason, Nicole Mitchell, Elliott Levin, and Adam Rudolph and attended the Creative Music Studio and the Vancouver Creative Music Institute. As principal bass of MESTO,  he has toured the Middle East playing Arabic music, and he works with classical groups including the Santa Monica Symphony, the Vicente Chamber Orchestra, and the Culver City Chamber Orchestra.

MAY 17 2026  7:15pm

$20 click here to purchase advance tickets online

(FREE for students and financially challenged)

NEIL ROLNICK performs So Many Me's, with choreographer and dancer ALEX OLIVA (and her 8 foot ladder). measuring ... selling ... falling apart ... acting out ... surrender ... Neil also performs the score to Barbara Hammer's 1990 experimental film Sanctus, featuring a host of x-ray skeletons playing trumpets, drinking, shaking hands, shaving, putting on lipstick, all to the live mashup of Sanctus movements from masses by Machaut, Bach, Beethoven & Verdi. 

 

 

“Plonsey Scheme” has nothing to do with finding suckers to invest in this “music” thing which promises to be such a hot commodity, with the fraudster paying off older investors with the funds provided by the younger ones -- but as we get older it is admittedly a little more like it: what experiences, revelations and revolutions can we promise you? MANTRA PLONSEY writes the words while DAN PLONSEY writes the music, but it comes together for the first (and last) time during performance. The music is written to accommodate improvisations utilizing various constraints, miniature compositions within compositions, fragments of songs from Eastern Europe and Northern El Cerrito. The band includes bagpipes virtuoso MATTHEW WELCH (also accordion and Balinese suling), clarinet/saxophone/flutist CORY WRIGHT (also trombone), guitarist TOMEK SINCLAIR, STEVE ADAMS on electronics (into PA), flute, sax, violinist KATE DOLLENMAYER, percussionist WARD SPANGLER, and MIC GENDREAU on turntables, electronics and percussion (and perhaps clarinet). Mantra sings and speaks, Dan plays reeds, brass, melodica, and bits of cheap percussion. And KATTT ATCHLEY provides a backdrop of projected tableaux of dolls among art: in movement along with their lighting on a system of turntables and lazy susans. PLONSEY SCHEME is eery, majestic, lost, mysterious, ceremonial, and more/less than just there.

MAY 24 2026  7:15pm

$20 click here to purchase advance tickets online

(FREE for students and financially challenged)

ANTIMATTER (xopher Davidson, analog / digital electronics) and JACOB FELIX HEULE (percussion): Wave Function Collapse, resting upon the threshold between a state of limitless potentials and one of decoherence-that which cannot be measured, quantified, simulated or collected as data. Forever drifting over time, a spectral bass-relief sculpted by entropy.

 

MEERENAI SHIM and DIANE GRUBBE team up to perform composed and improvised music for a variety of flutes, including glissando and contrabass flutes. The program includes Salvatore Sciarrino’s Il pomeriggio di un allarme al parcheggio for glissando flute, Pathways for two flutes by Efraín Amaya, Matthew Joseph Payne’s Etude for contrabass flute and TI83+ calculator and the premiere of a duo for two glissando flutes by Diane Grubbe.

MAY 31 2026  7:15pm

$20 click here to purchase advance tickets online

(FREE for students and financially challenged)

WEST OAKLAND SOUND SERIES' house new music ensemble, sfSoundGroup, presents a program traversing over 100 years of the avant-garde. The evening is anchored by ERIK SATIE'S minimalistic CINEMA (1926), performed live to RENÉ CLAIR’S landmark silent short Dada film, Entr’acte.

 

The concert features a trio of works by LARRY POLANSKY (1954 - 2024) that showcase his unique formal processes. The World’s Longest Melody employs a generative "morphing" technique to weave a single, continuous thread of sound through ever-shifting musical terrain. Approaching the Azimuth..., a short solo clarinet work written for Matt Ingalls, is a computer generated form with various distributions of the instrument's natural harmonics. freeHorn concludes the set with shimmering, resonant textures that invite an ensemble of improvisers to explore the natural physics of the harmonic series.

 

TOM DAMBLY premieres La trompette concrète 2,  a new work for trumpet and multichannel electronics while MATT INGALLS reimagines the very first work written for the group, Fences (2001), a hybrid score of graphical and traditional notation with a heavy dose of improvisation.

 

 

PROGRAM

 

Erik Satie - CINEMA (1926)
with René Clair’s silent Dada short film, Entr’acte  (1924)

 

Larry Polansky - The World’s Longest Melody (1993)

 

Larry Polansky - Approaching the Azimuth... (1998)

 

Larry Polansky - freeHorn (2004)

 

Tom Dambly - La trompette concrète 2 (2026)

 

Matt Ingalls - Fences (2001/2026)

 

 


MUSICIANS

Diane Grubbe, flute
Matt Ingalls, clarinet
John Ingle, saxophone

Tom Dambly, trumpet
Brendan Lai-Tong, trombone

Giacomo Fiore, guitar
Hadley McCarroll, piano
Kjell Nordeson, percussion
Monica Scott, cello
Lisa Mezzacappa, bass

June 7 2026  7:15pm

$20 click here to purchase advance tickets online

(FREE for students and financially challenged)


ROVA SAXOPHONE QUARTET presents two sets of original compositions.  

 

First, commissioned works and recent Rova compositions for the quartet, including Music for Mouths by MIYA MASAOKA, The Knot Gallery by JOHN BUTCHER, I, Norton by GINO ROBAIR and pieces by quartet members.

In the second half, Rova joins by KAREN STACKPOLE (Gongwoman) for a set of Rova works adapted for saxophone quartet plus gongs and percussion. First streamed live in March of 2022, the works are presented to a live audience for the first time.

June 28 2026  7:15pm

$20 click here to purchase advance tickets online

(FREE for students/seniors/underemployed)

KOLE GALBRAITH is a multi-disciplinary artist who focuses on sound, audio-visual, and found-object installation. Based in Seattle, Washington, Kole Galbraith has been active in the underground experimental music community for the past decade performing throughout the West Coast of the United States and Europe. Sonically his sonic studio compositions are informed by early 20th century French musique-concrète, metal, jazz and contemporary composition. Thematically, the compositions are influenced by interior Salish folklore, and contemporary indigenous experience. Galbraith mixes using materials found in nature with electronic techniques to uncover both latent sonic capabilities and to uncover latent histories.

 

 

ERIC THEISE'S set of cartographic works includes the West Coast premiere of his collaboration with composer SHAHRZAD TALEBI (a piece commissioned for the inaugural season of dadageek's Contemporary Art & Sound Technologies, played here by percussionists SUKI O'KANE and GRAHAM VIEGUT), a performance of A Synesthete's Atlas with pianist CHRISTOPHER HARTO, and a solo work for optical sound.



Unseen Stream: a 30 minute performance of JAIME ROBLES'S poem, Unseen Stream, with video by Jaime Robles, music by NANCY BECKMAN (shakuhachi, ocarina, voice), TOM BICKLEY (EWI/electronics, voice), and JAIME ROBLES (voice and percussion). The video projection is fixed media of water in various streams, with some text from the poem. The performance is enclosed in a soundscape of processed sounds of water flowing and footsteps on dry leaves. The music is improvised, with the text sung and interludes of instrumental music between sections of the poem.

July 19 2026  7:15pm

$20 click here to purchase advance tickets online

(FREE for students/seniors/underemployed)

THE SKY IS A SUITCASE is a melodic free jazz group formed in 2014 in Seattle, Wa by Mike Gebhart, Ray Larsen, Carmen Quill and Levi Gillis. They have released 2 records The Sky Is A Suitcase (2016), and Rain Rhythm (2018). El Jardin, their newest record, out this July, blends studio recordings with choice live tracks for an immersive album experience. While clearly influenced by a large amount of the Jazz pantheon (Ornette Coleman, Paul Motian, Keith Jarrett Quartet… to name a few) they have developed a unique sound of their own, favoring collective improvisation/expression over soloistic statements, and clear melody over flashy pyrotechnics. They are a band that invites listeners to slow down and tune in. Tonight they are playing as a trio: MIKE GEBHART, drums; LEVI GILLIS, saxophones; and CARMEN QUILL,  bass.

 

 

JAKOB PEK is a guitarist, composer, improviser, and educator whose work explores the intersections of sound, perception, and spontaneous creation. Drawing from a wide range of musical and contemplative traditions, he creates performances rooted in deep listening, expressive freedom, and a spirit of discovery. Each performance unfolds as a unique encounter with the possibilities of the present moment.
  

RAFFI GARABEDIAN is a tenor saxophonist and composer living in Oakland, California. A dedicated improvisationalist, Garabedian centers spontaneous composition as the foundation to explore new rhythmic, harmonic, and melodic cycles.

July 26 2026  7:15pm

$20 click here to purchase advance tickets online

(FREE for students/seniors/underemployed)

FF (Fuck Fascists) is the collaboration of SHARKIFACE and AVA KOOHBOR, who met at Mills College. They use electronics, noise, and spoken word to enact resistance and reject fascism and patriarchy. They make sound as protest, performance as refusal, and noise as a space for collective action. SHARKIFACE, aka Angela Edwards, is an Oakland-based performer blending synths, custom instruments, and voice to craft visceral, noise-influenced electronic works. San Francisco based poet, visual and sound artist AVA KOOHBOR works with sound as a tactile material. Her performances are sensory fields where vibration becomes texture, risk, breath, and presence in space.

 

 

Iranian composer and performer KIMIA KOOCHAKZADEH-YAZDI  presents In Between Spaces,  a live electronic set that moves through memories, spaces, and feelings. The piece lives in the coexistence of extremes and between shifting thresholds. Its sound world is built from synthesized and sampled Iranian instruments, field recordings, processed material from previous works, and transformed vocal sounds. It comes from sorrow, anger, and grief, but also from hope, love, and resilience. Sonically and narratively, the piece moves between edge and immersion, water and space, noise and delicacy, flow and rigidity.

 

 

Santa Cruz based composer, CHRIS EVERINGHAM presents Searching, a work that uses a just intonation sound space synthesized in MAX/MSP. The performer “searches” for JI harmonies within the sound space. Throughout Searching, the fundamental pitch of the harmonies slowly descends, creating new resonances with each change. In this piece Everingham seeks to combine his interests in just intonation with influences from the music of Morton Feldman, the drone-metal band Sunn O))), and controlled improvisation. Searching is an evolving piece of music that changes with each new performance.
 

August 2 2026  7:15pm

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(FREE for students/seniors/underemployed)

THE NORTHWEST EXPERIMENTAL GUITAR ORCHESTRA is a Seattle-based ensemble of musicians from diverse performative backgrounds. They perform new works that explore alternative methods of scoring, conducting, and technology integration, favoring methods that avoid traditional Western music notation, making participation accessible to everyone, regardless of background, training, or education. They will perform a suite of three compositions inspired by particle physics. All movements are guided without a live conductor, each using a different form of audio or visual technological guidance.

 

 

LORIN BENEDICT is a California-based improvising vocalist (scat singer, essentially), who operates in the fields of jazz and jazz-adjacent music. He specializes in small group improvisations (solo, duo, trio), in which structured forms are addressed in a manifestly loose and playful way.

 

CASEY TESSIER is a professional tap dance artist and award-winning percussionist from Albuquerque, New Mexico. Based in the San Francisco Bay Area, she has devoted her life to honoring, sharing, and advancing percussive dance as an instrumental medium for representation, communication, and inspiration.

August 9 2026  7:15pm

$20 click here to purchase advance tickets online

(FREE for students/underemployed)

JEAN CARLA RODEA (voice/electronics) brings an electroacoustic quartet featuring  KYLE BRUCKMANN (oboe), KANOKO NISHI-SMITH (koto), and FRED LONBERG-HOLM (cello). The ensemble explores spontaneous composition and collective improvisation in response to Rodea’s sound design and scores. Drawing from each musician’s extensive background in free improvisation and experimentalism, the evening unfolds as an unpredictable multilogue.

 

AINE NAKAMURA presents a collaborative performance of voice and body with local clarinetist and computer musician MATT INGALLS.  Aine Nakamura often writes words and considers shapes as if her throat is a membrane and each body part is a shape, phenomenon among worldly phenomena, in relations.  Through collaborations, she develops her approach to attunement, spaces and listening.

August 16 2026  7:15pm

$20 click here to purchase advance tickets online

(FREE for students/underemployed)

Oakland musicians NATHAN CLEVENGER, JORDAN GLENN, and CORY WRIGHT share a long and entwined history of collaboration across various projects, including Wiener Kids, Ashen Cleric, and Fellow Hominids. Formed in 2021, the trio has released 3 albums and initiated a series of collaborations with guests artists, including Kasey Knudsen, Crystal Pascucci, Phillip Greenlief, Marié Abe, and Safa Shokrai. Working from, between, and against Clevenger’s compositional frames and utilizing the multi-instrumental flexibility of each player, the trio (and guests) weaves between non-idiomatic improvisation and often gnomic composed material, with focus on spaciousness and timbral detail. For tonight’s performance, the trio is joined by vocalist DANISHTA RIVERO and trumpeter ARI BROWN.

 

 

FORNAX LINTEUM is a free improv trio consisting of ANDREW JORON (theremin), JOSEPH DEE BRADSHAW (guitar), and JANEL WAGNER (voice). Andrew Joron is a theremin player who has performed in a variety of experimental and jazz ensembles, including the duo Fornax Linteum, the free-improv quartet Ouroborous, and Evidence Trio. Joseph Dee Bradshaw is a guitarist and improviser based in Oakland. Janel Wagner is a classically trained vocalist and a multi-instrumentalist rooted in jazz and folk traditions.

August 23 2026  7:15pm

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(FREE for students/underemployed)

THE SAN FRANCISCO TAPE MUSIC COLLECTIVE presents their summer east bay festival of fixed media works projected live over a 16-channel Meyer Sound System in complete darkness. Featuring a wide range of works by international composers, Edgard Varèse's classic musique concrète piece Poème Électronique and a rare work by Pauline Oliveros will be presented alongside modern acousmatic compositions.

 

PROGRAM

 

Paulina Sundin - Electroclips (2001 : 3'14")

 

Sam Salem - The Sun Warms the Memory (2010 : 11’29”)

 

Edgard Varèse - Poème Électronique (1959 : 8'02")

 

Christopher Swithinbank - La Leggerezza Delle Città (2010 : 5'32")

 

Jullian Hoff - Scratch! (2011 : 12'06")

 

— interval — 

 

Francisco Eye - Cuerno de Chivo (2012 : 3’51")

 

Pauline Oliveros - III of IV (1966 : 9'32")
 

Jason Bolte - Putt'n Around (2012 : 5'33")
 

Geraud Bec - buzzz (2008 : 6’30")

 

Isobel Anderson - Going Under: Above and Below The River Ouse (2014 : 13'43")

August 30 2026  7:15pm

$20 click here to purchase advance tickets online

(FREE for students/underemployed)

DOMI, KAITLIN MCSWEENEY, and K. FRANCIS MESSER are an experimental trio blending electro-acoustic composition and improvisation with prepared drums, scrap metal, cello, movement, voice, amplifiers, and salvaged resonant objects. Out of a receptive summoning, distinct voices emerge and impress upon each other, moving with and in contrast, inter-penetrating and gravitating towards a common orbit of evolving conditions. The trio welcomes sonic feedback as a fourth collaborator with elements of ritualistic repetition and deep listening. 

 

 

For over a decade, the duo of KEN UENO (vocals) and MATT INGALLS (clarinet) has presented their unique arsenal of extended techniques for an experience that defies classical expectations of sounds that can be made on voice and clarinet. Composer/vocalist/sound artist Ueno is a recipient of the Rome Prize and the Berlin Prize and currently a Professor at UC Berkeley. He sings overtones, multi-band multiphonics, sub-tones, and throat sings. Oakland-based Ingalls' clarinet technique includes circular-breathing, multiphonics, various breath effects, and a unique hybrid-timbre polyphonic effect.

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