a weekly new music and experimental sound series every sunday
presented by new performance traditions and sfSound

 

dresher ensemble studio :: 2201 poplar street, oakland california

ample parking! please park perpendicular when past the trees on poplar
$10-$25 sliding scale (cash & venmo accepted at door - order advance here)
 

concerts start promptly at 7:15
:: late arrivals follow instructions on door to get buzzed in ::

 

submit a proposal to perform!

 

view previous concerts

MARCH 15 2026  7:15pm

Clarinetist BEN GOLDBERG joins DILLON VADO (vibraphone) and TIM BULKLEY (drums) in a set of trio improvisations. Sound knowledge and awareness from planet Neptone. The practice of remembering what you can't forget. Come have a listen; you won't believe your ears. Or else, you will believe your ears but there might be something else you don't believe. Or maybe nothing at all.

 

 

EYE-FULL FILMS presents a set of experimental films by DAVID MICHALAK, STEVE MOBIA, and ARTHUR GANSON, including the premiere showing of Michalak's Still Movin'.

 

PROGRAM

 

DAVID MICHALAK - Life Is a Serious Business (1983, color, B+W, 8 min.)

George Kuchar in dual roles as Instructor and hopeless nebbish attempts to instruct himself out discouragement. The dialogue has been appropriated from a “How to Overcome
Discouragement” instructional record. Music by Dean Santomieri

 

ARTHUR GANSON - Machines (various shorts 1978-2004, color, B+W, 6 min)

 

STEVE MOBIA – Nudge (2012, color, 8min.)

a pinball percussion piece that features the sounds of vintage pinball machines, scored by Steve and performed by members of the Composers Orchestra.

 

DAVID MICHALAK - Still Movin’ (2025, color, 6 min)

Nature’s beautiful abstractions present themselves through a car window. World premiere! Soundtrack by Dr. Bob

 

DAVID MICHALAK - The Secret Opera (2025, color, B+W, 13 min.)

Grum, an opera singer played by Bob Marsh searches for the key to love & art attempting to perform in spite of aphonia, inner demons and a ghost that has been haunting and dooming
performances in the decaying Opera House. Soundtrack by Dr. Bob.

 

DAVID MICHALAK - Regenbogen (1998, color, 4 min.)

an animated rainbow, soundtrack by Reel Change

 

plus a surprise film!

March 20 2026  6:30pm

SPECIAL LOCATION: Indian Rock Park, 950 Indian Rock Ave, Berkeley

FREE!

SFSOUND musicians join the bird ensemble in a Spring Equinox outdoor performance

of WENDY REID'S Ambient Bird-Indian Rock 2026, with BRENDA HUTCHINSON’S Dailybell at

sunset.

 

Ambient Bird - Indian Rock 2026 is a 44-minute interspecies sonic environment that

invites humans, animals, and nature to come together in a shared experience of sound,

silence, and connection. The ambient landscape and experimental musicians, with

traditional and invented instruments, create a collaborative and inclusive space where

all are welcome to listen, engage and contribute to the evolving soundscape. Among themany species of birds at Indian Rock, there are Bewick's Wrens, Dark-eyed Juncos,

Nuttall's Woodpeckers, Anna's Hummingbirds, California Scrub-Jays, American Crows,

and various raptors.

 

The structure of this work can be described as a musical process which attempts to

reflect nature’s manner of operations: a spatially notated score of sonic fragments

transcribed from bird-human interactions is interpreted and performed by the musicians

within the ambient environment of Indian Rock. Contextual in nature, the work allows

performers to act according to unpredictable conditions and variables which arise within

the musical continuity. In performance, an attempt is made at a spontaneous unforced

growing of sound and silence in which emphasis is placed on formation rather than pre-

established form, as in the building and shaping of cell-like units in living processes.

This site-specific piece, as with the first incantation, ‘Ambient Bird 433’, pays homage to

JOHN CAGE’S composition 4’33”(1952).

 

Dailybell: immediately after the performance, at sunset, Brenda Hutchinson leads

everyone in bell-ringing, celebrating the Spring Equinox: created by composer and

sound artist Brenda Hutchinson in 2008, Dailybell is an ongoing aspirational project

based on the premise that something as inarguable as the movement of the Earth can

be used as a point of unity and awareness among groups of people who might

otherwise find it impossible to agree.

 

About the site: Indian Rock Park was originally the land of the Ohlone people, who

consider their connection to the rocks to be sacred. It remains a place of cultural

significance that people protect and recognize its history. It is the hope of many that one

day it will be returned to its indigenous inhabitants.

 

There is no formal seating: the audience sits on the stone steps or grass, stands, or wanders.

 

This performance is included in ‘Ambient Bird-Berkeley’ (2025-26), a project supported

in part by a Civic Arts Grant from the City of Berkeley

MARCH 22 2026  7:15pm

FRED FRITH (bass/viola) has been a dauntless explorer, improviser, and collaborator in the half-century since he made that breakthrough. From leaving Henry Cow to start Art Bears, from leaving England to enlist in a hyperactive New York improvisational circuit that led him to join Naked City and launch his own Massacre, Frith has situated his extended techniques and handmade instruments in dozens of different contexts. A longtime teacher at California’s Mills College, he brings another new band, FREMAKAJO. He has tapped intertwining Bay Area circles to build this quartet, with curious and playful drummer JORDAN GLENN joining exploratory saxophonist KASEY KNUDSEN and stylistically globetrotting accordionist MARIÉ ABE.

 

 

SOCIAL STUTTER, a saxophone quartet led by composer/altoist BETH SCHENCK, blurs the line between strictly written chamber music and soaring free jazz. Solos emerge from the natural order of intricately written lines that, although begin simply in structure, twist and distort themselves into surprisingly complex shapes and forms. Unlike traditional saxophone quartets, most compositions call for two altos, tenor, and bari, which leads itself to denser harmonic territory and a uniquely homogenous sound. Masters of texture and nuance, the quartet has a keen awareness of how to support and push one another's creative boundaries. Social Stutter is comprised of some of the Bay Area's most unique voices: KASEY KNUDSEN, RAFFI GARABEDIAN, CORY WRIGHT and BETH SCHENCK.

MARCH 29 2026  7:15pm

LEVITATOR is a Bay Area–based trio featuring KJELL NORDESON (drums), SAFA SHOKRAI  (bass), and MARK PASCUCCI-CLIFFORD (vibraphone). Performing original compositions and improvisations, the group has been developing its sound together since 2021. Rooted in the jazz tradition while drawing from free improvisation and contemporary creative music, Levitator’s music balances structure, spontaneity, and collective interplay.

 

 

Two Sisters is the next installment in MAX ABNER'S series of operas that combine set librettos with improvised music. Set in the rural enclave known as Rough River, two sets of sisters (one set unremarkable, one set former child stars) live in adjacent riverhouses overlooking the water. Each set—guarded by deeply attentive mothers—suffers from various forms of emotional arrested development. When one of the former child stars drowns in a flood, one of the more pedestrian sisters becomes convinced that she is the drowned sister, still very much alive. Two Sisters plumbs the ensuing blurriness, as mourning, care, delusion, and placation mingle in a case of mistaken and troubled identification.

 

Two Sisters

a work-in-progress staged reading

 

Creative Team:

Libretto/Score by MAX ABNER

Directed by MICHAEL ROGERSON

Musical Direction by SADIE GREYDUCK
 

Cast:

Max: Max Abner

Joseph: Joseph Dee Bradshaw

Sister (S): Captainmcsweeney (Kaitlin McSweeney)

Her Sister (H): Truce Hansen

Mom and Mommy: Celeste Winant

Famous Sister (F): Victoria Glavin

Other Sister (O): Guilia Chiappetta
 

Ensemble:

Sadie Greyduck: upright bass

Travis Snyder: pedal steel

Joseph Dee Bradshaw: acoustic guitar

Max Abner: cassettes

Tim Decillis: drums

APRIL 12 2026  7:15pm

Boston-based DEPARTURE DUO (Nina Guo, soprano and Edward Kass, double bass) returns to the Bay Area presenting a program of high-low works:


For Charles North’s 15 Poems and Liner Notes 2 by Christian Wolff
Mouthpiece 43 by Erin Gee
Garden Clocks by Njabulo Phungula
Linear B by Andrew Watts

 

 

CHERYL LEONARD makes field recordings of natural soundscapes, and builds and plays electroacoustic instruments made out of natural materials such as bones, driftwood, shells, seaweed, feathers, and stones.  WOBBLY sees the long histories of feedback and generative music as attempts to better understand what all those animals are singing about.  Recently they've been driving to the Marin Headlands to make hydrophone recordings of the Newt Pond that was once an anti-aircraft gun turret, you know the one, but if you haven't stuck your head underwater to hear the sound of photosynthesizing pond weed, don't -- those newts are poisonous.

PROPOSALS

Our focus is on the bay area experimental and new music community, hopefully encouraging crossover among sub-scenes (composition and improvisation; established and emerging; institutional and underground; etc.) We strongly suggest local musicians attend concerts before requesting to perform on the series. Visiting aritsts are also welcome, ideally splitting a concert with local musicians.

We are also seeking compositions (in all forms of notation) to be performed by the sfSoundGroup.

We have a 92-key (down to a Low F!) 1953 Imperial Bösendorfer 7’4” Model 225 Piano (no sostenuto pedal; inside/prepared is OK). The venue hosts a Meyer Sound System, drum kit, additional piano, lighting, and projection equipment.

Please send proposals to mattingalls at me dot com

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