WEST
OAKLAND
SOUND
SERIES
UPCOMING
SUN OCT 11 - JAAP BLONK / ECHO'S BONES
SUN OCT 18 - JARED REDMOND PLAYS FELDMAN'S "TRIADIC MEMORIES" / OAK RDCT ORCH
SUN OCT 25 - OCHS + DAVIS + JOHNSTON + MEZZACAPPA / DJLL + HEGLIN + STACKPOLE
SUN NOV 1 - MATT ROBIDOUX: SPIRAL WORKER / RODRIGO BARRIGA ENSEMBLE
SUN NOV 8 - CORNELIUS CARDEW CHOIR / PET THE TIGER
SUN NOV 15 - BEN GOLDBERG + MYRA MELFORD +MAT MUNTZ / JULIA RIGBY
SUN NOV 22 - BRISTLE / LENNY GONZALEZ + ERIK ELLESTAD
SUN NOV 29 - P. GREENLIEF + E. DAVIS + J GLENN / B. BLECHDOM + T. DIMUZIO + J. GOODE
a weekly new music and experimental sound series every sunday
presented by new performance traditions and sfSound
DRESHER ENSEMBLE STUDIO
2201 poplar street :: oakland ca
ample parking! please park perpendicular when past the trees on poplar
$20 (FREE for students/underemployed)
cash & venmo accepted at door - order advance here
concerts start promptly at 7:30
:: late arrivals follow instructions on door to get buzzed in ::
October 11 2026 7:30pm
$20 click here to purchase advance tickets online
(FREE for students/underemployed)
JAAP BLONK performs his own compositions, improvisations, and historical sound poems. Blonk (born 1953 in Woerden, Netherlands) is a self-taught composer, performer, poet and visual artist. His unfinished studies in mathematics and musicology mainly created a penchant for activities in a Dada vein, as did several unsuccessful jobs in offices and other well-organized systems. In the early 1980s he discovered the power and flexibility of his voice, and set out on a long-term research of phonetics and the possibilities of the human voice. At present, he has developed into a specialist in the creation and performance of sound poetry and a unique vocal improviser, supported by a powerful and uninhibited stage presence. He has performed and taught around the world, on all continents. With the use of live electronics and sometimes projection of visuals the scope and range of his concerts has acquired a considerable extension.
Blonk’s recorded / published output comprises some 75 titles: CDs, vinyl, cassettes and books. From his sound poetry scores he developed an independent body of visual work, also supported by his renewed interest in mathematical procedures. It has been exhibited in various countries, and selections have been collected in books by publishers in North and South America and various European countries.
ECHO'S BONES woodwind trio plays avant pastoral improvised music. Their music develops from the combined timbres of three different acoustic woodwind instruments blending, diverging and conversing and incorporates numerous musical traditions in free improvisational performances. Amber Lamprecht: oboe, English horn; Sheldon Brown: clarinet, bass clarinet; Joseph Noble: flute, alto flute, bass flute, bamboo flutes.


October 18 2026 7:30pm
$20 click here to purchase advance tickets online
(FREE for students/underemployed)
music by MORTON FELDMAN
JARED REDMOND
OAKLAND REDUCTIONIST ORCHESTRA
Pianist-composer JARED REDMOND performs MORTON FELDMAN'S 1981 masterpiece Triadic Memories for piano solo. Described by the composer as "the biggest butterfly in captivity", Triadic Memories typifies Feldman's late style: a dreamlike work woven of hypnotically shifting, mosaic-like patterns, unrelentingly fragile and quiet, and of great length. Influenced deeply by the abstract visual art of his time, Feldman uses resonance, repetition, and register as colors, and speaks of the influence of painter Cy Twombly, whose gesso brushwork inspired Feldman to "smudge" the music's hypnotizing harmonies into "a kind of precarious rainbow".
oakland reductionist orchestra performs their unique interpretation of MORTON FELDMAN'S Intersection #1 (1951).
MUSICIANS
tom djll, trumpet
ron heglin, tuba
monica scott, cello
matt ingalls, clarinets
lisa mezzacappa, bass
kyle bruckmann, oboe, english horn
kevin corcoran, percussion
kevin ck lo, violin/flute/piano
kanoko nishi-smith, koto
joshua marshall, tenor saxophone
john ingle, saxophones
john bischoff, electronics
jacob felix heule, percussion
isabelle waldner kalb, viola
diane grubbe, flutes
danishta rivero, voice
cody putman, bassoon
chris cooper, guitar, electronics
cheryl e leonard, natural-object instruments



October 25 2026 7:30pm
$20 click here to purchase advance tickets online
(FREE for students/underemployed)
LARRY OCHS (tenor and sopranino saxophones) offers up a deeply felt set of improvised music, created by this stellar ensemble of San Francisco Bay Area improvisers BEN DAVIS (cello); DARREN JOHNSTON (trumpet); LISA MEZZACAPPA (acoustic bass)... and we invite you, the creative listeners, to dig in to our spontaneous but thoughtfully sculpted music as it happens, in real time.
Conceptually, Subconscious Life might be said to be administratively led by Larry Ochs, who also might add carefully placed comments before and after sessions. The music itself, however, is developing collectively as the four performers listen, respond and focus on the collective musical elements, each player reacting from his or her own composerly perspective. As some of you will hear: "Form" is definitely part of the creative process in this band. As a result, the plan is to have each piece "magically" end up with a formal shape and its own distinct character. In other words: there's a sign outside the entrance to the Studio that reads NOTICE: EARS WORKING.
The trio of RON HEGLIN (tuba and trombone) - KAREN STACKPOLE (gongs and percussion) - TOM DJLL (trumpet and electronics) has been making music for nearly 20 years, appearing at Mills College, the Garden of Memory Solstice events, and various Bay Area music venues. Their extended sonic landscapes explore and exploit the sonorities of vibrating brass, expressed in shimmering textures and microtuned beating tones.

