a weekly new music and experimental sound series every sunday
presented by new performance traditions and sfSound
DRESHER ENSEMBLE STUDIO
2201 poplar street :: oakland california
ample parking! please park perpendicular when past the trees on poplar
$20 (FREE for students/underemployed)
cash & venmo accepted at door - order advance here
concerts start promptly at 7:15
:: late arrivals follow instructions on door to get buzzed in ::
August 30 2026 7:15pm
$20 click here to purchase advance tickets online
(FREE for students/underemployed)
DOMI, KAITLIN MCSWEENEY, and K. FRANCIS MESSER are an experimental trio blending electro-acoustic composition and improvisation with prepared drums, scrap metal, cello, movement, voice, amplifiers, and salvaged resonant objects. Out of a receptive summoning, distinct voices emerge and impress upon each other, moving with and in contrast, inter-penetrating and gravitating towards a common orbit of evolving conditions. The trio welcomes sonic feedback as a fourth collaborator with elements of ritualistic repetition and deep listening.
For over a decade, the duo of KEN UENO (vocals) and MATT INGALLS (clarinet) has presented their unique arsenal of extended techniques for an experience that defies classical expectations of sounds that can be made on voice and clarinet. Composer/vocalist/sound artist Ueno is a recipient of the Rome Prize and the Berlin Prize and currently a Professor at UC Berkeley. He sings overtones, multi-band multiphonics, sub-tones, and throat sings. Oakland-based Ingalls' clarinet technique includes circular-breathing, multiphonics, various breath effects, and a unique hybrid-timbre polyphonic effect.


September 13 2026 7:30pm
$20 click here to purchase advance tickets online
(FREE for students/underemployed)
RANDOM RUMINATIONS, WITH THE GERYON TRIO
(CHRIS BROWN + JOHANNA POETHIG + RAFFI GARABEDIAN)
DANA REASON + PHILIP GELB
+ KYLE BRUCKMANN
The Geryon Trio performs Random Ruminations. Drawing on themes of absurdity, chance, and fluidity, JOHANNA POETHIG'S text, image, and oracle project intersects with an aleatoric performance by CHRIS BROWN and RAFFI GARABEDIAN to form a collaborative exploration of chance, divination, and spontaneous creation. Prompted by Lyn Hejinian’s inquiry into constructive absurdity, Poethig weaves together texts, images, and casting cards that probe human attempts to forecast the future through magic, gambling, and mechanized search tools. Her work merges with Brown’s electronic composition "Geryon"—a three-headed musical model that uses software to randomly sample, process, and redistribute the musicians' live acoustic improvisations back through three speakers. Featuring Brown’s interactive electronic instrumentation alongside Garabedian’s dedicated tenor saxophone improvisation, the joint project creates a resonant, chaotic feedback loop blending history, prediction, and musical multiplicity.
DANA REASON (piano). PHILIP GELB (shakuhachi/electronics), and KYLE BRUCKMANN (oboe/electronics) premiere a new trio uniting three veterans of the international improvised music scene. Dana Reason and Philip Gelb bring decades of shared synergy to the stage, drawing on a rich collaborative history rooted in their celebrated trio with avant-garde pioneer and mentor Pauline Oliveros. They are joined by master double-reedist Kyle Bruckmann, a frequent collaborator whose distinct sonic voice completes this powerful new ensemble.


SEPTEMBER 20 2026 7:30pm
$20 click here to purchase advance tickets online
(FREE for students/underemployed)
The Glissando Flute is a normal orchestral flute with Robert Dick’s invention, the “Glissando Headjoint®” (inspired by the electric guitar’s “whammy bar"), making the flute more flexible and liquid. Long-time sfSound flutist DIANE GRUBBE has asked six Bay Area composers to let their creative energy go wild with the possibilities of the instrument and her arsenal of extended flute techniques. These renowned Bay Area composer/improvisers are STEVE ADAMS, KYLE BRUCKMANN, MATT INGALLS, BRENT MILLER, WENDY REID and MONICA SCOTT. A group improv with Diane and all the composers will follow the premieres.
Composer/performer MARGUERITE BROWN, presents tuning to, a solo performance exploring the electric guitar as a celestial body using a curated set of planetary tuning forks, hardware, and unconventional performance techniques. The project seeks to explore the intersection of vibration, resonance, and cosmic frequencies as a means of expanding the electric guitar's sonic and conceptual possibilities.

