a weekly new music and experimental sound series every sunday
presented by new performance traditions and sfSound

 

dresher ensemble studio :: 2201 poplar street, oakland california

ample parking! please park perpendicular when past the trees on poplar
$10-$25 sliding scale (cash & venmo accepted at door - order advance here)
 

concerts start promptly at 7:15
:: late arrivals follow instructions on door to get buzzed in ::

 

submit a proposal to perform!

 

view previous concerts

FEBRUARY 15 2026  8pm (NEW START TIME!)

MOE STAIANO'S MUSIC FOR EIGHT GUITARS 
JOSHUA ALLEN

MOE STAIANO continues to explore works for electric guitar ensembles with his third work-in-progress composition, Music for Eight Guitars (The Parting Gift). This plans to be an exploration of tonal interplay and contrasting rhythms with eight electric guitars, bass, drums and percussion. He plans to have it feature assertive rhythmic structures and intertwining tremolo structures, balanced by continuous play against each guitarist with bouncing rhythms and ongoing hockets while surrounding the audience with a bombastic attack. This piece comes after his Music for 48 Guitars (2023), which has yet to be performed.

 

Bay Area tenor saxophonist JOSHUA ALLEN unveils a new direction of deeply intimate solo works. Following a challenging hiatus while recovering from two recent surgeries, Allen has spent months of intensive recovery dedicated to a meticulous "re-mapping" of his instrument. This new vocabulary of soft, micro-textural multiphonics was refined amidst the ambient hum of the Rockridge BART station. By transforming a public transit hub into a laboratory for sonic exploration, he has mastered the art of projecting even the softest timbres with clarity and soul. Join us for a performance that celebrates resilience and the beauty of finding a new voice in the quietest spaces.


 

FEBRUARY 22 2026  7:15pm

HANNA BROBACK + JOHN TESKE + NOEL KENNON (String Trio, Seattle) is an ensemble currently working with sustained frequencies, harmonic structures, and open form composition . For this evening joined by ADAM LION (Vibraphone, LA) they will realize pages from Noel's typewriter score 13 harmonic weather formations. This music unfolds slowly and attempts to sound a slow spectral image.



GACHAPON, an improvisational New Music ensemble featuring NANCY BECKMAN, shakuhachi and percussion; CINDY SAWPRANO, musical saw, accordion, voice and percussion; TOM BICKLEY, EWI electronic wind instrument; and DEAN SANTOMIERI, taishogoto and guitar, performs with dancer CHRISTINA BRAUN.

 

Gachapon is an improvising New Music quartet with a slightly Asian music flavor characteristic of both the Shakuhachi, an end blown flute usually made of bamboo, and Taishogoto, an electric instrument with presets that mimic both Japanese and western instruments. The EWI (electronic wind instrument) also has preset sounds capable of producing flute, brass, reed, woodwind and synthesizer sounds. The bowed saw brings unusual timbres into the mix and is capable of extreme glissandi. The guitar, accordion, and Taishogoto can play chords as well, which are often used to give a key center or sound bed for the other players to solo over. Additionally, all the group members play percussion instruments.

 

Gachapon often employs a Gray Code derived score to indicate which players will play or not play along a time grid. So, at various moments, one member might be playing solo while the others sit out. The score determines when solos, duos, trios or the full quartet play, which brings a unique listening experience to an audience more familiar with other improvising ensembles. “Gachapon” is also the onomatopoeic name given to a certain type of Japanese vending machine toys. Christina Braun will be dancing with the group during this performance. Her dancing incorporates elements of ballet, Jazz, Modern and Butoh styles.
 

MARCH 8 2026  7:15pm

Berlin-based double bassist REBECCA LAWRENCE performs Imaginary Light, a program of contemporary works for solo double bass. Through extended techniques and alternative tunings, the sonic compass of the double bass is exposed, expanded and illuminated. Known for her collaborative work as a contemporary and early music double bassist in Europe and the USA, Rebecca is a member of berlin-based EnsembleKollektiv as well as a frequent guest with ensembles such as Klangforum Wien, Ensemble Modern, ensemble mosaik, the Basel Sinfonietta and Matter of Facts Studio. She combines her interest in contemporary and baroque music with individual projects involving improvisation on early instruments.

 

Jacob Druckman: Valentine (1969)

Håkon Thelin: Amarcord (2003)

Haukur Þór Harðarson: new work (2026)

Rebecca Saunders: Fury (2005)

 


The OAKLAND REDUCTIONIST ORCHESTRA is a supergroup of Bay Area musicians with a predilection for lowercase, fricative, and reductionist improvisation that often sounds more electronic than acoustic, the ensemble comes out of a rich tradition of "American reductionist" music that blossomed in the late 1990s and early 2000s.  Musicans: tom djll, trumpet; ron heglin, tuba; monica scott, cello; matt ingalls, clarinets; lisa mezzacappa, bass; kyle bruckmann, oboe, english horn; kevin ck lo, flute, violin, piano;  kevin corcoran, percussion; kanoko nishi-smith, koto; john ingle, saxophones; jacob felix heule, percussion; diane grubbe, flutes; danishta rivero, voice; cody putman, bassoon; chris cooper, guitar, electronics; cheryl e leonard, natural-object instruments; brendan lai-tong, trombone.

PROPOSALS

Our focus is on the bay area experimental and new music community, hopefully encouraging crossover among sub-scenes (composition and improvisation; established and emerging; institutional and underground; etc.) We strongly suggest local musicians attend concerts before requesting to perform on the series. Visiting aritsts are also welcome, ideally splitting a concert with local musicians.

We are also seeking compositions (in all forms of notation) to be performed by the sfSoundGroup.

We have a 92-key (down to a Low F!) 1953 Imperial Bösendorfer 7’4” Model 225 Piano (no sostenuto pedal; inside/prepared is OK). The venue hosts a Meyer Sound System, drum kit, additional piano, lighting, and projection equipment.

Please send proposals to mattingalls at me dot com

We need your consent to load the translations

We use a third-party service to translate the website content that may collect data about your activity. Please review the details in the privacy policy and accept the service to view the translations.